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Shira U'tfila (Sephardic music from Serbia) plays at LIFEM: London International Festival of Exploratory Music

For more information: http://www.lifem.org.uk
Follow us on Twitter: http://twitter.com/lifem
For bookings: info@redorange.org.uk

GENRE:
Sephardic music ensemble that draws its inspiration from the richness of Judeo-Spanish, Balkan and Arabic musical traditions. The band passionately blends its knowledge of classical traditions with a flair for improvisation and fusion. Its distinct sound brings a modern twist to an historical legacy.

MORE ABOUT:
Founded by vocalist and oud player Asher Alkalay (Stefan Sablic), Shira U’tfila brings together a multi-ethnic, multi-faith ensemble that draws its inspiration from the diversity and richness of Judeo-Spanish, Ottoman-Turkish, Arabic and Balkan musical traditions. Shira U’tfila has released five CDs, toured a dozen countries and collaborated on various research and production projects involving Sephardic music from the Balkans, Mediterranean and Middle East. The band passionately blends its knowledge of classical traditions and dedication to their preservation with a flair for improvisation and a talent for fusion. Its distinct sound brings a modern twist to an historical legacy.

SELECTED DISCOGRAPHY:
- “Biviendo Enkantando” (September 2009)
- “The Sephardic Songs From The Balkans” (2008)
- “Heritage” (2008)
- “Donde Tiyenes Ojos?” (2007)
- “Bisharayih Yerushalaim” (2004)
- “Nagila Aleluya” (2001)

PRESS REVIEWS:
"It's refreshing to encounter a group who come mostly from the former Yugoslavia. Led by Stefan Sablic, a Serbian, they have an eclectic and accomplished performing style, spiced up by an Indian percussionist. The mainly Balkan backing group adds a wealth of Mediterranean instruments including darabuka, kaval, qanun and riq. Try the heady mix of sacred and profane in the first four tracks on this disc I dare you disagree." (Songlines)

"This group has the clear mission of reviving the Jewish Balkan music tradition, a goal that is definitely approached with tremendous seriousness. In spite of that, their totally modern improvisation includes not only a punk-rockabilly double bass and the passionate contributions of Filip Krumes on violin, but also the unambiguous and unique sound of qanun played by the renowned musician from Israel, Elad Gabbay.
But, exactly somewhere, in between this area filled with ferments of the chemistry of the 21st century, which also satisfies the wide range of the urban generation, you are suddenly struck by the ancient spirit of the Orient, whose deep melancholy and ecstasy finds its place in the vital harmony of the autonomous branch of eternal reality. Sensual, intoxicating and beautiful, but truly." (Danas)

“It is at once nostalgic and alive” (The Jerusalem Post)

For more information: http://www.lifem.org.uk
Follow us on Twitter: http://twitter.com/lifem
For bookings: info@redorange.org.uk